Question regarding the completion of the His Majesty’s Theatre facade restoration project, highlighting the government's commitment and the project's details.

AnsweredQoN 485Legislative Assembly
Asked
17 August 2011
Portfolio
Culture and the Arts

QuestionView source ↗

HIS MAJESTY’S THEATRE — RESTORATION
I am aware that the cultural venues of state significance add greatly to the vibrancy and character of the city of Perth. Can the minister please update the house on the His Majesty’s Theatre facade project following this government’s decision to prioritise its restoration, a decision that the previous Labor government ignored? Mr J.H.D. DAY

AnswerView source ↗

I thank the member for the question. I am very happy to provide that information. I think everybody would agree that His Majesty’s Theatre is an iconic aspect of the state’s heritage and cultural infrastructure. It is the only working Edwardian theatre in Australia and now makes a major contribution to the performing arts in Western Australia. It is the case that the facade deteriorated quite extensively over the 100 years or so prior to the recent restoration being undertaken. That was caused by exposure to the elements, and there has been significant deterioration due to concrete cancer, steel corrosion and friable concrete. A decision was therefore needed to provide the funding to ensure that the building would be both made safe and preserved in perpetuity for future use, and also as a very important piece of the state’s architectural heritage, as I said. I am pleased to say that the restoration project has now been completed. It has involved the expenditure of approximately $2 million or so, and I compliment all the tradespeople in particular who have been involved in what has been quite a specialist restoration project. For example, artisan plasterers painstakingly restored the damaged cornices and corbels by hand using purpose-cut templates and tools; some of the more intricate features, including the flowers that form part of the decorative garlands, were recreated by using latex moulds taken from the originals; and new features were cast using modern repair mortars to create perfect reproductions that were then fixed to the building using stainless steel pins before being coated with a high-quality paint system. Probably the most challenging aspect of the work was the recreation of the outstanding Juliet balconies that adorn the facade. After a lot of consideration, it was decided that nine of the balconies would be completely rebuilt. Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY replied: I thank the member for the question. I am very happy to provide that information. I think everybody would agree that His Majesty’s Theatre is an iconic aspect of the state’s heritage and cultural infrastructure. It is the only working Edwardian theatre in Australia and now makes a major contribution to the performing arts in Western Australia. It is the case that the facade deteriorated quite extensively over the 100 years or so prior to the recent restoration being undertaken. That was caused by exposure to the elements, and there has been significant deterioration due to concrete cancer, steel corrosion and friable concrete. A decision was therefore needed to provide the funding to ensure that the building would be both made safe and preserved in perpetuity for future use, and also as a very important piece of the state’s architectural heritage, as I said. I am pleased to say that the restoration project has now been completed. It has involved the expenditure of approximately $2 million or so, and I compliment all the tradespeople in particular who have been involved in what has been quite a specialist restoration project. For example, artisan plasterers painstakingly restored the damaged cornices and corbels by hand using purpose-cut templates and tools; some of the more intricate features, including the flowers that form part of the decorative garlands, were recreated by using latex moulds taken from the originals; and new features were cast using modern repair mortars to create perfect reproductions that were then fixed to the building using stainless steel pins before being coated with a high-quality paint system. Probably the most challenging aspect of the work was the recreation of the outstanding Juliet balconies that adorn the facade. After a lot of consideration, it was decided that nine of the balconies would be completely rebuilt. Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
I thank the member for the question. I am very happy to provide that information. I think everybody would agree that His Majesty’s Theatre is an iconic aspect of the state’s heritage and cultural infrastructure. It is the only working Edwardian theatre in Australia and now makes a major contribution to the performing arts in Western Australia. It is the case that the facade deteriorated quite extensively over the 100 years or so prior to the recent restoration being undertaken. That was caused by exposure to the elements, and there has been significant deterioration due to concrete cancer, steel corrosion and friable concrete. A decision was therefore needed to provide the funding to ensure that the building would be both made safe and preserved in perpetuity for future use, and also as a very important piece of the state’s architectural heritage, as I said. I am pleased to say that the restoration project has now been completed. It has involved the expenditure of approximately $2 million or so, and I compliment all the tradespeople in particular who have been involved in what has been quite a specialist restoration project. For example, artisan plasterers painstakingly restored the damaged cornices and corbels by hand using purpose-cut templates and tools; some of the more intricate features, including the flowers that form part of the decorative garlands, were recreated by using latex moulds taken from the originals; and new features were cast using modern repair mortars to create perfect reproductions that were then fixed to the building using stainless steel pins before being coated with a high-quality paint system. Probably the most challenging aspect of the work was the recreation of the outstanding Juliet balconies that adorn the facade. After a lot of consideration, it was decided that nine of the balconies would be completely rebuilt. Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
I am very happy to provide that information. I think everybody would agree that His Majesty’s Theatre is an iconic aspect of the state’s heritage and cultural infrastructure. It is the only working Edwardian theatre in Australia and now makes a major contribution to the performing arts in Western Australia. It is the case that the facade deteriorated quite extensively over the 100 years or so prior to the recent restoration being undertaken. That was caused by exposure to the elements, and there has been significant deterioration due to concrete cancer, steel corrosion and friable concrete. A decision was therefore needed to provide the funding to ensure that the building would be both made safe and preserved in perpetuity for future use, and also as a very important piece of the state’s architectural heritage, as I said. I am pleased to say that the restoration project has now been completed. It has involved the expenditure of approximately $2 million or so, and I compliment all the tradespeople in particular who have been involved in what has been quite a specialist restoration project. For example, artisan plasterers painstakingly restored the damaged cornices and corbels by hand using purpose-cut templates and tools; some of the more intricate features, including the flowers that form part of the decorative garlands, were recreated by using latex moulds taken from the originals; and new features were cast using modern repair mortars to create perfect reproductions that were then fixed to the building using stainless steel pins before being coated with a high-quality paint system. Probably the most challenging aspect of the work was the recreation of the outstanding Juliet balconies that adorn the facade. After a lot of consideration, it was decided that nine of the balconies would be completely rebuilt. Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
I am pleased to say that the restoration project has now been completed. It has involved the expenditure of approximately $2 million or so, and I compliment all the tradespeople in particular who have been involved in what has been quite a specialist restoration project. For example, artisan plasterers painstakingly restored the damaged cornices and corbels by hand using purpose-cut templates and tools; some of the more intricate features, including the flowers that form part of the decorative garlands, were recreated by using latex moulds taken from the originals; and new features were cast using modern repair mortars to create perfect reproductions that were then fixed to the building using stainless steel pins before being coated with a high-quality paint system. Probably the most challenging aspect of the work was the recreation of the outstanding Juliet balconies that adorn the facade. After a lot of consideration, it was decided that nine of the balconies would be completely rebuilt. Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.N. Hyde : Do you know who built it originally? Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : The name of the hotelier, no. Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.N. Hyde : It was the member for Perth. Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : The then member for Perth, whose name was? Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr M. McGowan : Romeo! Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.N. Hyde : That was the Juliet balcony! Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : Whose name was? Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.N. Hyde : I am asking the question; come on! Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Several members interjected. Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : If the member for Perth is going to make such an interjection and refer to the extensive contribution made by members for Perth, I suggest he finds out who has preceded him in his role. Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.N. Hyde : What is the RSPCA policy on dogs on desks by the way? Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : That dog was very happy to be there, I can assure the member! Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Several members interjected. Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
Mr J.H.D. DAY : I give full credit to Koko for being very well behaved! To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.
To conclude about His Majesty’s Theatre, the clamshell bases, curved profile and numerous plaster features were the most complex portions of the facade restoration. With accommodation of modern latex moulding and traditional construction techniques, the nine balconies were re-created with the same aesthetic beauty of the original building, while providing superior durability. It is a substantial achievement that His Majesty’s Theatre has now been restored and I give due credit to all those who have been involved: the Perth Theatre Trust, the Department of Culture and the Arts, and all of the tradespeople and contractors.

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